Choral Excellence
Thomas Bookhout, DMA

After the director has chosen high quality repertoire…

An excellent choir combines the following elements to perform with unsurpassed musicality:

1) Each member demonstrates a great, positive attitude and takes 100% responsibility for knowing and mastering every pitch, rhythm, text, and expressive detail in the score, as well as all marks given by the conductor.

2) Each member demonstrates a singer’s posture, and sings in an individually healthy manner, which is anatomically efficient, throughout all ranges and dynamics.

3) The chorus has a uniform concept of deep-set, tall vowels that is consistent throughout all ranges, dynamics, rhythms, and tempos.

4) The chorus has a uniform high, forward ring and buoyancy in the tone that is consistent throughout all ranges, dynamics, rhythms, and tempos.

5) The chorus sustains the sung tone in a steady vowel stream from note to note consistently throughout all ranges, dynamics, rhythms, and tempos.

6) Each section sings with a unified section sound--with all members unified in pitch, volume, vowel, space, placement, vibrato, phrasing, pronunciation, and articulation--and with a sound which is unique from the other sections.

7) The members of each section sing perfectly in tune with each other, and also are unified with each other in vowel, tonal color, and articulation.

8) The chorus has a uniform concept of each phrase and the use of the breath.

9) The chorus communicates the text dramatically with well-executed consonants, syllable inflection, and emotional involvement, in any language.

10) The chorus performs distinct and absolute dynamics, while at the same time demonstrating an appropriate balance among sections in every texture and phrase.

11) The chorus maintains a steady metric pulse, and performs with a rhythmic vitality and interest which propels the music forward.

12) The chorus sings works of different styles, different emotions, and/or different historical periods with musically appropriate articulation, rhythmic drive, phrasing, tone, dynamics, pronunciation, and balance.

13) The chorus sings with sensitivity to the conductor, responding with the highest level of musicianship to her/his gestures and instructions in performance.

Dr. Thomas Bookhout, Taghkanic Chorale, Northern Dutchess Christian School
Revised 6/23/98

Copyright © 2000 Thomas Bookhout.  All rights reserved.